About Me

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Fairfield , California, United States
An artist-go-lucky go-lightly, native San Franciscan, eupraxsophist plus pacifist, and a twin to boot am I.

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Wednesday, October 26, 2011

Guest Star

This is a photo taken back in 1996. It's Saturday morning, March 23rd just after midnight San Francisco time. The stars rising over the house belong to the constellation of Bootes. Arcturus (pardon the spherical aberration) is the bright star to the upper right. Meanwhile, Izar (Epsilon Bootis) has a bright blue green guest: the comet Hyakutake. ;-)
Comet Hyakutake and Izar. Photo by antaresrichard
 

Thursday, October 6, 2011

'Akin'

I was planning on posting this tonight, when the lights went out. Hmmm.
Power Outage 10-6-'11. Photo by antaresrichard

Tuesday, October 4, 2011

'Incantation'

San Jose 10-31-'82. Photo by antareseichard
The original (color) photograph was taken around 2 or 2:30am PST, Sunday , October 31st, 1982. It had rained earlier during the day, but now the skies were clear, and the waxing gibbous moon was well on its way to setting in the west. The driveway points almost due west at 266.7° azimuth.

'I'm Not the First'

Rain cloud over downtown San Francisco. Photo by antaresrichard

Thursday, September 29, 2011

Peter and Cindy, Cindy and Peter


I stopped by Cafe Van Kleef the other day when both Peter and Cindy happened to be there, so I let my little camera run to catch the two of them together behind the bar. The crowds were coming in, so Peter and Cindy were much too preoccupied to notice my recording or concern themselves. I know my video might read like a plug (I was trying to think up copy for the crawl) but hey, I use to work at the Cafe. I can't help it. And besides, it's true: Peter, Cindy, and the Cafe were there first with the vision for the Uptown district!

Here's a photo taken earlier in the shift depicting a hard working Cindy in the shot. Peter and she had just arrived with fresh grapefruit for the Greyhounds.
Cafe Van Kleef. Photo by antaresrichard

'Like Echoes'

Christine Keeler by Lewis Morley 1963 (modified)

Wednesday, September 28, 2011

'Supernal Night'

Cafe Van Kleef decor. Photo by antaresrichard.

Admittedly, the "pinions" to which I refer, relate not to those of a truck, but rather to the winged summer constellations of Cygnus and Aquila. Still, I like the Cafe Van Kleef image and can live with the unintended pun. Auto mechanics must at times dream of love as well as gears.

Wednesday, September 14, 2011

*fume*

F. Murray Abraham as Antonio Salieri from 'Amadeus' (1984)

This dysthymia. This unipolar affliction. Innately cursed with the ability to see my deficiencies against the talents of others. I feel myself every-man's Salieri. My patron saint is, I fear, the fictionalized he.

'Our Sweeter Keep'

Photo by antaresrichard

Monday, September 12, 2011

Filler

Just a filler for now, but I will think of sumpthin'.
Bouquet of roses purchased by Karl-Heinz Teuber.
Photo by antaresrichard.
Well, it turns out, I did think of sumpthin'. The blog's background has been changed.

Sunday, September 11, 2011

"Brilliant! Horrifyingly brilliant!"

Tightly cropped portion of Joseph P. Whistler's photo.






At 6:03 am PDT on September 11th 2001, this was my honest and immediate reaction upon seeing, live on television, the second plane fly into the doomed World Trade Center. The enemy, I marveled, had just perpetrated one of the greatest coups on the American psyche using our own technology, industry, and the open sky against us! For many, it really was falling!

And I was afraid.

Of and for the United States.

For instantly, as the heinous truth of the attack unfolded, I feared our public's myopic nationalism and response. An unthinkable human tragedy had just occurred, a human tragedy, but we would no doubt turn it American. All the while waving our banners, I worried, would we play right into the terrorist's hands instead? In our resultant quest, our godly "crusade", our phobic zealousness to root out evil abroad and within, would we be doing Bin Laden's bidding by turning on ourselves, our lives, and our freedoms? "What will be the true cost?" I wondered.

Sadly, the years, I feel, have proven my trepidation prophetic.

My second instinctive thought was, "They had better cordon off the airspace over Washington D.C. and enforce a 'no fly zone'!"

Thirty four minutes later, the Pentagon was hit.

Saturday, September 10, 2011

'Pane'

Self portrait

Brian Vouglas' Day at the Albany Twin (photo and video portrait)

'Brian Vouglas' by antaresrichard





































The third in a series of posts, this is the second video (see below) and longer version wherein I recorded Brian Vouglas, my friend, performing "Victory Song" live over the end credits of 'Ariel's Dream', a film by Robert Martin. In the film, Brian sings the title melody and plays several voices, including that of a wartime sailor, lost at sea.

Again, the occasion was the premiere screening of the film at the Albany Twin Theater on August 28, 2011. Michael Lande composed the nostalgic score, with Robert Martin providing the lyrics for the tune.

The off-camera voices that you hear are mainly those of Robert Martin and Kim Foscato. The latter was the film's sound designer and rerecording mixer. She also provided audio for the live event.

Additional music: "Porch Swing Days" courtesy of Kevin MacLeod incompetech.com

Wednesday, September 7, 2011

With Love to San Francisco

As you know, I'm a native San Franciscan (born the year the George Cory / Douglass Cross tune was written). This video is a collaboration with my friend Karl-Heinz Teuber and current resident of the city by the bay. It is the first of two video paeans to San Francisco. The second can be seen on Karl's YouTube Channel.

Oh, a little behind-the-scene trivia by the way of a blooper: the "kiss" seen in the freeze frame below and documented in the video, is in point of fact, a collision taking place between my face and Karl's right temple. Bam! I wasn't expecting the rapidity of our embrace. But what the hey?! It also the only clip (beside the generic stills) shot by a third person: Mario Genel.
 





'Victory Song' sung live by Brian Vouglas

Again, this is my long time friend Brian Vouglas, performing "Victory Song" live over the end credits of 'Ariel's Dream', a film by Robert Martin wherein Brian sings the title melody and plays several voices, including that of a wartime sailor, lost at sea.

The occasion I was taping was the premiere screening of the aforementioned film at the Albany Twin Theater on August 28, 2011. Michael Lande composed the nostalgic score, with Robert Martin providing the lyrics for the tune.

The theater lighting is subdued.

Wednesday, August 24, 2011

'Victory Song'



This is my friend Brian Vouglas. Years ago he lent his mellifluous singing and vocal talent to a Robert Martin film project which is now about to be screened. This is the song from that feature. Enjoy the forties flavored tune composed by Michael Lande. Lyrics by Robert Martin. Portrait shot of Brian Vouglas by me.

Tuesday, August 23, 2011

Sunday, August 23, 1964

From the San Francisco Chronicle and the San Francisco Examiner


Sunday, August 23rd, 1964 10:40am PDT


As best I recall, I was in the kitchen that morning with my mom and dad. As she was hovering over the stove, he and I were watching television. I remember the televised Sunday morning segment was about epilepsy and the incidental things that can trigger an attack or fit, such as the strobing lights of an emergency vehicle.


Suddenly, over the black and white footage and sounds of fire equipment rushing to the scene of a fire, my eldest sister Yvette came running up the hallway yelling, "Smoke! Smoke! Smoke!" She was in no way playing off the program.


She pointed to the kitchen window facing the rear of our property and in the direction of roofing company next door. This was the second fire to erupt next to our house in two weeks!


What my mom viewed when she went to look out the window I never saw, as the shade was drawn. I only remember her expression of alarm and her reflexive life and death determination to get us all to immediate safety.


I barely had time to dress while Yvette summoned the fire department. I called out for my two possessions, but only one of them left the house with me: a stuffed toy tiger.


We escaped unharmed into the street, Potrero Avenue to be exact, directly across from the
then emergency ward of the San Francisco General Hospital. There were six of us who were forced out that day: my parents, my eldest sister Yvette, my twin sister Georgene, and my uncle.My sister Angie, the seventh member of the Sanchez family was staying the month in San Jose with our aunt and uncle.


By now, the Crystal Springs Roofing Company was totally involved, with the flames cresting the side of our three story house.


Then came the fire engines, the crowds, and the press.


The photographer for the San Francisco Chronicle was the first from the press corps to arrive on the scene and quickly sussed out the residents of 988 Potrero Avenue. Of course my stuffed tiger was one of those story angles newspeople just love to cover. It's a natural, y'know, human interest an' all!


Unfortunately for the Chronicle, by the time their staff reporter showed up at the scene, my friend Carlos Sanchez had joined us. When the photographer pointed the reporter in our direction the latter came straight up to Carlos and me and asked,


"Is your name Sanchez?"
Carlos answered, "Yes. Carlos."
"'Sanchos'," noted the reporter, "What's your father's name?"
"Joseph."
"Then who's Manuel?" (Manuel was my dad's first name.)
"My kid brother. He's six," disclosed Carlos in all truthfulness.


And the errors just kept mounting with the reporter scribbling away.


Well, thankfully, the the San Francisco Examiner got our names right, although it still manage to exaggerate our plight (for color I suppose). We weren't made homeless. Our family lived in that house another thirty four years.


Enter Aunt Toy.


What a shock it must have been for her, coming straight from Los Angeles that morning, to find upon her approach, a terrible sight: a roiling column of smoke was now designating our home's location on the cityscape as the exterior of our residence was slowly being engulfed.


Yet worse than the fire for me, was my being smothered by Tia Toy's demonstrative hugs!


I could go on about a possible arson angle (remember this was the second fire in a forte night to hit our building). At the time, someone was pushing to buy up four properties (two residences and two businesses). The two residences were the hold outs, and both were homes were damaged.


Or I could focus on the firefight, which was also very urgent. For not only did they have the roofing company to contend with on the one side of our house, but a gas station on the other with its used motor oil pit and underground gas tanks. A "blevy" (Boiling Liquid Expanding Vapor Explosion) directly across from the San Francisco General Hospital is all the fire units would need!


Well, the crews did a valiant job.The fire was stopped short of the gas station - just barely. And as bad as it looked, our house was actually spared total destruction. The roofing company, with a history of suspicious fires, was not. It was completely gutted.


Respectively, the story made page 4 and page 6 of the Monday, August 24th, 1964 edition of the Chronicle and the Examiner.


Now, if your wondering what I may be thinking in the Chronicle photograph as I dearly hold onto my tiger Toni, (apart from our family losing our home) I am also thinking of my other "prized possession" that didn't get rescued by my sis, my little black toy ewe named "Lammie".


This is how I confabulate the day forty seven years ago today, and all I am relying upon is my tattered mental notes.

Saturday, August 20, 2011

Jose Ramon Lerma (2011)

'Jose Ramon Lerma' by antaresrichard
This is a photograph of my friend and neighbor, artist Jose Ramon Lerma. Cropped from a three shot, it was taken at the Sidebar on Grand Avenue in Oakland. The date was April 26, 2011.

I've always enjoyed the outfit, expression, color scheme, and the lighting.

Castro vs. the Flying Saucer

Shooting the ceiling of the Castro Theatre (see July 15, 2011) did remind of this interior image from 'Earth vs. the Flying Saucers' (1956). Just a side note: actor and vocal talent Paul Frees provides the voice for the saucer device pictured in the above image.

Friday, August 19, 2011

'The Day the Earth Stood Still' (Lux Radio Theater broadcast)

What's with the repeat post you ask? Simply put, this is the more complete Lux Radio Theater broadcast of the radio play posted below. References made in the program to 'How to Marry a Millionaire' and 'King of the Khyber Rifles' date this radiocast to December 1953 at its earliest. Enjoy!



Saturday, July 30, 2011

Hollywood Radio Theater presents 'The Day the Earth Stood Still'

Color publicity still for 'The Day the Earth Stood Still' (1951)
From 1953: Actor Michael Rennie reprises his role as Klaatu for the radio listening audience. Jean Peters plays Helen Benson. Billy Gray is recognizable as the character of Bobby Benson. Of special delight: the narrator is none other than the "voice of fifties sci fi" himself: Paul Frees!